Forum Topic - *P365 2/7/11

User Post
Lisa J.
Posted at 6:35 PM, Feb 07, 2011

Hi again!  I have heard it said that the most telling giveaway that a photograph was taken by an amateur rather than a pro is the distance the photographer is from the subject.  Think about it - when you snap a picture, do you focus on the whole scene from a distance, or get up close and personal and really capture the looks on the faces of those you love???  Which is really more important?  Well, of course if you are visiting Paris for the first time, you will want to get 1000 shots of the Eiffel tower - but chances are, they'll look like every other photo ever taken of the Eiffel tower.  BUT, if you take a photograph of your husband or wife - with just the texture of the base in the background to go with that area shot, well, who else can create that???  THAT belongs just to you.  So, remember, while it is sometimes important to get wide shots, get everything in there - don't forget that you WILL want photos of those summer freckles, that lost tooth - that big set of baby blues to fill up the WHOLE frame.  It's all about the moment captured in that face, in those eyes that we can't forget.

Here's a great little article from Adorama.com - a great site for photographers of every skill level.  They have tutorials and great information about equipment too!

Here is the article - check it out and see what you think!

... and don't forget to make a memory today!

Lisa J.

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Fill the frame when shooting a portrait: Fix the Pix, Episode 7

Are you ready for your close-up?

By Mason Resnick

September 16, 2009

The trouble with people pictures is most photographers don't get close enough. Look at the difference a more intimate approach can make!


Today’s Fix the Pix was photographed using a Panasonic Lumix DMC-ZR1.

"Far out!" is not the exclamation of hippy-dippy joy when it comes to portrait photos of your loved ones. Instead, it's a complaint: I can't see Aunt Sadie because you were too "far out" when you photographed her. How can you avoid too much space around a face?

It’s really great that so many new compact digital cameras are available these days with zoom lenses that start at 28 or 24mm. This is really helpful when shooting scenic vistas or photographing large groups of people in tight spaces. It’s not so helpful when you want to get a nice close portrait of someone.

Deceptive distance: I shot this at 24mm with a brand-new Panasonic Lumix DMC-ZR1. We were standing about 8 feet from each other, but my daughter seems so much farther away!

Better: I zoomed in to the equivalent of a 70mm view, but the red tail light of the car in the background and the bright steps on the right draw my eye away from the subject.

1.    Move closer. Zoom with your feet. When photographing someone, stand within ten feet of them.
2.    Use a moderate telephoto setting. Around 70mm should do it. If you have a 3x zoom lens, zoom it almost all the way out. Shooting at close range with a telephoto setting, the background will be more out of focus and less distracting. To avoid camera shake, make sure shake reduction is turned on.

 

Don't be afraid to fill the frame, and even to cut off the top of your subject's head. For this shot, I took a couple of steps towards my daughter, and composed vertically. By zooming in on your subject, you can get a more dramatic portrait. Bonus: The closer you get, the less chance that you'll have a distracting background.

 

 

 

 

 

 

 

 

A fun twist: If you're getting up super-close, try tilting the camera slightly. The off-kilter diagonal approach is more dynamic and fun.

About The Author

 

Mason Resnick is the editor of the Adorama Learning Center and a lifetime photography enthusiast.